“Katy tells us that it’s okay to stand out,” one of pneumatic pop star Katy Perry’s disciples intones at the beginning of Katy Perry: Part of Me 3D, a shiny, brightly colored piece of fan candy that follows the performer as she embarks on her 2011 world tour. Also the Word of Katy: “How could you ever be too cartoon-y?” The latter, exclaimed as Perry’s being fitted into one of her Jetsons concession girl costumes, is a baldly rhetorical question. Somewhere in between those two lines of pop scripture lies the explanation for the only female artist to eke five number-one hits from a single album, her 2010 record Teenage Dream.
Do we still talk in terms of albums? The record-keepers do, anyway, still bound by the standards of the past. And Perry, the daughter of born-again evangelists (her father’s aging rock god outfit makes more sense upon learning that he used to cook up LSD; no trace of her mother’s romantic history with Jimi Hendrix remains), likes to play with a retro look. But she is an unmistakably modern creation, as the brand-conscious Part of Me confirms, beginning with the webcam testimonials from fans about the realness and relatability of their heroine that segue to an 18-year-old Katy earnestly confiding into her own laptop. Except the teenage Katy, as though guided by shivering foreknowledge of this exact moment, expresses her desire to be a leader, and her doubts about taking on “all those responsibilities.”
Madonna was 25 when Dick Clark got her to blurt out her plan “to rule the world.” Perry has cited pop music’s great survivor as an influence, but I couldn’t watch Part of Me without thinking of how thinly it compares to Madonna: Truth or Dare, a backstage concert film that documents the singer…
Full Story »
